A little while ago I was contacted by a paper company so intrigued by my Paper Sculpture photography that they wanted to use one for an upcoming exhibition. When I first did these three years ago I wasn’t thinking of the potential commercial value of these photographs, but more so a stand alone abstract. So, with that in mind I set out to replicate and refine my paper sculptures and present a fresh and more commercial series for the paper company to review. Long story short, they went with their first choice to begin with, as pictured below and winner of Shot of the Day!
Nevertheless, the moral of the story is that when you revisit a series or even return to a certain location that you once photographed its interesting how you approach it from new angles. Its the consequence of time and experience allowing you to incorporate new techniques and a refined sense of direction. Case in point, three years ago I was shooting with nothing more than the intention of making some call imagery, but today I am looking to create photographs that will be of value, maybe even timeless, and thinking of that final step of bringing it to market that influences each exposure I create.
But in this instance maybe I got lucky:D
As you may notice my photographic interests tend to be your vast natural landscapes or light painted cityscapes. However, I am not yet pretentious enough to pass up any subject matter, because I haven’t yet found my area of expertise. While I am still young and finding my niche I will do everything and anything I can get my hands on to diversify my photographic skills. So, a few days ago when my friend asked me if I could take a few corporate headshots for him, so from there it was just a matter of finding the right lighting…
The simplest lighting setup you could have is just one light, a key light, whether it be the sun or the light from your iphone flash, they can all be manipulated to act as a key light for a portrait. Nevertheless, I had three lights at my disposal positioned in the traditional three-point-lighting setup: Key light, Fill light and Back light, with the addition of soft boxes. The key light as the name suggests provides the main source of lighting and tends to be the one lighting the front of your subject. Whereas the fill light provides that balance to the subjects back, or side depending on the pose, to fill in the shadows and avoid a harsh contrast of lighting. Then we have the back light usually directed on the backdrop to avoid shadows and separate the subject from the background, again adding depth to the overall photograph.
So, 20 minutes, a few poses and one shirt change later here are the results, what do you think?
Its hard not to notice how similar Baboons are to humans, their appearance, behaviour and the little mannerisms that look all too familiar. Unfortunately, for us much bigger primates we have the worries of taxes and laundry to keep us occupied, something your average baboon would care little for. Then again, taxes and laundry aren’t the only things that separate us, believe it of not. I think its something like 2% DNA that defines us from them genetically and a whole world of rules and infrastructure called civilisation. Also, the theory that we as humans possess this empowering conscience that gives us the moral high ground over animals. However, sometimes this can lead people to commit terrible acts against animals, and believing that a lack of conscience gives justification.
As I watched and photographed these kind Kinda Baboons in Zambia, I struggled to see that lack of conscience or compassion, and the whole them from us debate. It might have been my dehydration due to the sweltering heat, but whatever these funny looking Baboons had or didn’t, it looked relatively bliss. It was as though materialism hadn’t been introduced to these characters, all they had was each other and their journey through life was central to sustaining one other. Maybe materialism is all that separates us from them?
You might be wondering its just a picture of some baboons, settle down! My time in Africa was eyeopening to say the least, and one thing that resonated most with me was Africa’s reliance on their natural resources, animals. As I post more photographs in the coming weeks of Africa’s most extraordinary walks of life, I will talk about the struggles that these animals face with humans materialistic obsession. I hope I haven’t read too much into this photograph and made it more than what it is, I just think we could learn a thing or two from them.
Anyway, how cute do these Kinda Baboons look!
The Royal Melbourne Institute of Technology prides itself in design excellence and with first-hand experience I can say I am proud of my university – especially when it comes to the state-of-the-art buildings springing up around campus. The abstract photograph below was taken of the new SAB Building 80 located on Swanston street in Melbourne, which opened just under a year ago. Only now have I finally got around to photographing it, and there is so much more to ‘expose’. Anyway, the photo before your eyes is somewhat non-descriptive of the building, yet in a way shows you just how unique it is and why it has become a landmark on RMIT’s campus. Having shot in raw, I was able to pull much of the detail lost in the sky out and really uncover the rich colours of the buildings ‘spiky’ exterior. I think the ‘before & after’ screenshot might be interesting to those adamant about their jpegs!
Its a dead tree! Wow, yeah not much to talk about here, just a really cool exposure. My eye was drawn to its bleached white trunk, seeming to illuminate in contrast to the dull shadows. Also, facing east at sunset presented the dramatic darkening sky, which was just too good of a backdrop. I made the most of that in Lightroom, contrasting tree and sky. Although the foreground is pretty much silhouetted there was no point lifting any detail out; after all the tree is the subject. Nevertheless, anything in the frame should always be attended to, and I thought maybe just a hint of colour in the foreground would balance things up.